Digital Wild Walls
A collaboration with Wirz Digital Printing (Switzerland)
In spring 2025, I was invited by Wirz Digital Printing, a Swiss interior design and wallpaper studio known for their bold artist collaborations, to develop a new AI-generated art series for their bespoke wallpaper line. The resulting works were created under my visual art identity Digital Wild Art — a name that reflects my interest in untamed aesthetics, Afro-surrealism, and the regenerative potential of digital ecosystems.
The invitation was open-ended: to create a collection of large-scale pieces that could live on walls, not just as visual ornament, but as immersive landscapes. Each image had to hold texture, depth, and narrative potential — balancing stillness and movement in a way that could support everyday living while sparking imaginative encounter.
Working iteratively with prompt-based generative tools, I created a suite of images that sit somewhere between tapestry, mural, and dreamscape. These included surreal desert blooms, glowing alien flora, celestial botanicals, underwater architectures, and otherworldly forests — all composed with a mix of layered AI synthesis, digital collage, and colour modulation. I focused on pieces that embodied rhythm and radiance, allowing walls to feel like they breathed or shimmered — quietly holding a presence, without shouting for attention.
The project also gave me space to explore how speculative Black and diasporic aesthetics could live in interior space — not as a theme, but as an ambient intelligence. I was especially drawn to the idea that these wallpapers might sit in offices, foyers, clinics, or private homes, quietly undoing sterile or colonial design norms with pattern, movement, and myth.
Wirz featured the collection online with an artist spotlight page, making the full range of works available as high-resolution wall coverings. Selected pieces were printed at large scale for showroom display, and I’ve since received inquiries about licensing the artworks for international hospitality and cultural spaces.
This collaboration helped me to expand the material application of my visual storytelling practice — from screen and print into architectural and environmental surfaces. It also affirmed my belief that AI-assisted creativity can be not only expressive, but spatial — offering new languages for how we shape the environments we live, work, and dream inside.